![]() For most folks who were editing Call of Duty screen captures for YouTube in the early 2010s, Vegas (Sony Vegas as it used to be called) was the editor of choice. I’ve found with NLEs that you usually stick with the one you learned. It’s never really taken a chunk out of the market share, but it’s still loved and adored by its hardcore fans and users. Vegas has always been the scrappy little brother in the fight for the top NLE. Due to its enterprise and project-sharing abilities, it’s still the overwhelming choice of NLEs for most Hollywood-level productions.Īfter the upgrades in the recent update, I will say that it looks a lot friendlier and more modern compared to the block-y gray blob it used to be. If you’re serious about becoming an editor for a post house or grinding your way to entering the ACE guild, Avid is the right choice. It’s the workhorse of all of the NLEs out there. It won’t blink at high-resolution video or shy away from a monster timeline. It’s incredible at handling feature-length projects, and the organization tools inside the program are hard to match. So, let’s talk a bit of why Avid is an option and how it doesn’t have to be scary! However, just because we’re not well-versed in the software doesn’t mean it’s not worth checking out. I’m pretty sure everyone who writes for PremiumBeat has tried Avid at some point in their career, and nobody is currently working in the program-if that says anything. Motion Design in Fusion doesn’t match up to After EffectsĪhh, Avid-the one NLE that aspiring editors love to hate. ![]()
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